“Eadie Was a Lady” was recorded by Cab Calloway on December 7, 1932. Today, The Hi De Ho Blog is happy to welcome an essay on this song, sharply written by one of the biggest Cab Calloway fan I know: Keller WHALEN. This American guy, friend of mine has digged the roots and the many covers of that song with such strange lyrics...   Read the full story →

In 1969, a young man from the suburbs of New York City, Harry COHEN, went with his school class to see his first Broadway show, Hello, Dolly! starring Pearl Bailey and Cab Calloway.  This is a short interview with Harry from early 2017, by our wonderful friend and supporter Keller WHALEN. Read the full story →

PART I: THE EARLY YEARS AND NEW YORK (by Keller WHALEN) The Sepia Mae West, Copper-Colored Mae West, Creole Mae West, Scarlett O’Hara from Lennox Avenue, Gypsy Rose Lee in Bronze, Rainy Day Sadie, the Duchess of Yorkville, the Chick with the Limber Timbre, and Miss Atomic Blues.  These are all sobriquets given to Mae Johnson, forgotten star of the Cotton Club. Read the full story →

Cab Calloway’s 1962 album of standards, Blues Make Me Happy has recently been released on CD on the Sepia label. The original Coral LP has been re-mastered and cleaned up for the first time using the CEDAR noise-reduction process, with rare bonus material from the Coral and ABC-Paramount labels.  The new CD “Blues Make Me Happy The ABC-Paramount and Coral Years 1956-1961” includes a booklet with full discographic details and very informative liner notes by Christopher POPA, webmaster of the Big Band Library website. It’s unfortunate that Cab didn’t record more albums of standards or contemporary tunes during this era, because he was at the height of his powers as a vocalist.  Although the rapid high-pitched scatting and vocal pyrotechnics of the hot-jazz 1930s were somewhat diminished, they were more than equaled by a mature and powerful voice, perfect diction and breath control, and an impressive three-octave range. The Hi De Ho Blog brings you the whole story, reviews the CD, and adds new information about this milestone yet underrated album.     Read the full story →

Recorded in December 1958, this album was supposed to let people discover Cab Calloway’s “stylized vocal” in full stereo, backed by a big band orchestra. It was eventually released in June 1960! The Hi De Ho Blog tries to explain the story of those tracks, neglected by Jazz historians, forgotten by most but which are a lively experience of Cab Calloway’s sound and voice in this era: timeless! Read the full story →

On several occasions in the 1970s Cab teamed up with producer Ben Bagley to record musical comedy show tunes for LP salutes to the great popular songwriters.  Bagley’s Revisited series of albums pay tribute to the iconic Broadway composers and lyricists with some of their more obscure and forgotten songs. Those exceptional albums are cherished and widely coveted by collectors. Keller Whalen, for The Hi De Ho Blog, tells you the whole story. And it’s history! By Keller WHALEN Read the full story →

St. Louis Blues (1958) starring Nat King Cole, Eartha Kitt, Pearl Bailey and Cab Calloway is a truly awful film with an outstanding cast.  Our friend and fellow Cab Calloway fan Keller Whalen has left no stone unturned in uncovering the behind-the-scenes details – he even watched the movie several times.  The Hi De Ho Blog is pleased to present a fascinating look at the story of how a bad film was made and the often hilarious reviews that followed its release.  Read the full story →

A personal reminiscence by Keller Whalen Read the full story →

An overview of the bandleader’s appearances on private and commercial postcards from the collection of Keller Whalen. Read the full story →

An inventory from the collections of Keller WHALEN and Jean-François PITET Read the full story →

PART 5: THE OTHER MAE JOHNSON & OTHER SEPIA MAE WESTS The Sepia Mae West, Copper-Colored Mae West, Creole Mae West, Scarlett O’Hara from Lennox Avenue, Gypsy Rose Lee in Bronze, Rainy Day Sadie, the Duchess of Yorkville, the Chick with the Limber Timbre, and Miss Atomic Blues.  These are all sobriquets given to Mae Johnson, forgotten star of the Cotton Club. Read the full story →

PART 4: LOS ANGELES, RECORDS, AND THE STAGE (by Keller Whalen)  The Sepia Mae West, Copper-Colored Mae West, Creole Mae West, Scarlett O’Hara from Lennox Avenue, Gypsy Rose Lee in Bronze, Rainy Day Sadie, the Duchess of Yorkville, the Chick with the Limber Timbre, and Miss Atomic Blues.  These are all sobriquets given to Mae Johnson, forgotten star of the Cotton Club. Read the full story →

PART 3: THE MOVIE CAREER (by Keller WHALEN) The Sepia Mae West, Copper-Colored Mae West, Creole Mae West, Scarlett O’Hara from Lennox Avenue, Gypsy Rose Lee in Bronze, Rainy Day Sadie, the Duchess of Yorkville, the Chick with the Limber Timbre, and Miss Atomic Blues.  These are all sobriquets given to Mae Johnson, forgotten star of the Cotton Club. Read the full story →

PART 2: THE COTTON CLUB REVUES (by Keller Whalen) The Sepia Mae West, Copper-Colored Mae West, Creole Mae West, Scarlett O’Hara from Lennox Avenue, Gypsy Rose Lee in Bronze, Rainy Day Sadie, the Duchess of Yorkville, the Chick with the Limber Timbre, and Miss Atomic Blues.  These are all sobriquets given to Mae Johnson, forgotten star of the Cotton Club. Read the full story →

  In 1965 Cab Calloway appeared in a superb dramatic supporting role in the Steve McQueen film The Cincinnati Kid. Based on a best-selling novel, the movie was a wonderful opportunity for Cab to show his assets in poker, since he was himself a definite player. And it was also the perfect time to fullfill a quite empty schedule on stage... For The Hi De Ho Blog, Keller Whalen retraces the history of the shooting, the casting, the release, and has unearthed anecdotes, documents and rare pictures about this unique gambling film. Read the full story →

Mae Diggs was a singer, dancer, drummer, bandleader, composer and producer. She sang popular songs of the day, sultry blues numbers, and her own compositions.  She danced, usually solo on stage, with sexy, exotic moves dressed in a variety of costumes including a collection of evening gowns.  She played the drums.  She produced entire night club productions and occasionally conducted jazz bands and, for over twenty years, fronted a Rhythm & Blues combo. This is her story of resilience and reinvention. Read the full story →

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It takes a collector’s serendipity to find a clue about a movie nobody ever saw. When opening a program dated with pencil by the original owner “November 14, 1947,” we found at the penultimate page a mysterious photo with a tagline: “A scene from ‘DON’T BE A JOE’” After years of unsuccessful research to see this film and a last-minute discovery by jazz film specialist Mark Cantor, we have decided to share what little we know about it -- which is quite a bit considering the total absence of information in all the usual sources.  Plus some of our speculations are included for context. Read the full story →